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Representing the black female subject in western art / by Charmaine A. Nelson.

By: Material type: TextTextSeries: Routledge studies on African and Black diaspora ; 2Publication details: New York, NY : Routledge, 2010.Description: xii, 245 p. : ill. ; 24 cmISBN:
  • 9780415871167
Subject(s): LOC classification:
  • N7630 .N45 2010
Online resources:
Contents:
Through an-other's eyes : white Canadian artists--Black female subjects -- Racing childhood : representations of black girls in Canadian art -- Slavery, portraiture, and the colonial limits of Canadian art history -- The fruits of resistance : reading portrait of a Negro slave on the sly -- Tying the knot : Black female slave dress in Canada -- Coloured nude : fetishization, disguise, dichotomy -- The "hottentot venus" in Canada : modernism, censorship, and the racial limits of female sexuality -- White marble, Black bodies, and the fear of the invisible Negro : -- Signifying blackness in mid-nineteenth-century neoclassical sculpture -- Vénus Africaine : race, beauty, and African-ness -- Allegory, race, and the four continents : Jean-Baptiste Carpeaux's les quatre parties du monde soutenant la sphere céleste -- Conclusion : whiteness as collective narcissism, towards a new vision.
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Item type Current library Call number Status Barcode
Open Shelf Albukhary International University LEVEL 2 N 7630 .N45 2010 (Browse shelf(Opens below)) Available 1100006331
Total holds: 0

Includes bibliographical references and index.

Through an-other's eyes : white Canadian artists--Black female subjects -- Racing childhood : representations of black girls in Canadian art -- Slavery, portraiture, and the colonial limits of Canadian art history -- The fruits of resistance : reading portrait of a Negro slave on the sly -- Tying the knot : Black female slave dress in Canada -- Coloured nude : fetishization, disguise, dichotomy -- The "hottentot venus" in Canada : modernism, censorship, and the racial limits of female sexuality -- White marble, Black bodies, and the fear of the invisible Negro : -- Signifying blackness in mid-nineteenth-century neoclassical sculpture -- Vénus Africaine : race, beauty, and African-ness -- Allegory, race, and the four continents : Jean-Baptiste Carpeaux's les quatre parties du monde soutenant la sphere céleste -- Conclusion : whiteness as collective narcissism, towards a new vision.

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